Photographing the arts: Different Spaces—wide angles for close quarters

In a previous essay I was talking about the difficulty of going into unfamiliar venues, and working out how to know what lenses might be needed to reach a performer on stage over a great distance. This time, I wanted to look at the opposite issue—how to work with a large production, in a small space.

When there isn’t going to be room to back up very far—if the seating in the venue is right at the front edge of the stage, for example—an ultra-wide angle lens is what’s going to be needed to get the full scale of a very wide or tall set, which can be useful for both publicity/marketing of the production (especially if it’s a particularly ambitious show in terms of scale), and later on for designers’ portfolios as well.

But that can create other issues, even as it’s solving one problem…

Photographing the arts: Different Spaces—on venue size, and lens choice

One of the trickiest things as a performing arts photographer is going into a theatre or concert hall you haven’t worked in before, and trying to pick the right places to be, and which lenses to use, for a show.

In most situations, I have two camera bodies on the go at any time, so I can have different lenses mounted on each of them to cover a wider range of fields of view—and of course so that if one camera has a problem of some kind, I can immediately switch to the other one. (Fortunately that doesn’t happen very much!)

But going into a room I don’t know is a special challenge, especially if I’m photographing while there’s an audience watching. If I have to stay out of sight and not disturb anyone, then I probably need longer lenses than I would if I can be right up at the front of the room capturing tight portraits of the performers on stage, during a rehearsal.

So, how long is long enough? And how do I work that out ahead of time, so I know what to bring?

Photographing the arts: revisiting a show (or Once, twice)

You could be forgiven for thinking the photo above looked familiar—after all, I did have a very similar one a couple of years ago!

But there’s a reason for that: the production of Once at Darlinghurst Theatre Company has made a return, with half the cast being new this time—so I was back there recently to photograph it for them, ahead of a nationwide tour.

And to be honest, while it’s something I’ve done before (re-photographing a show, I mean), somehow I was more nervous than I was the first time….

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