Check out some of my recent work, and my essays on Photographing The Arts!
2004 was the year of my first New Zealand International Arts Festival as the official photographer (I'd been a box office manager, followspot operator & lighting technician in previous years); and while there were a number of images I really like from that Festival, this one still grabs me the most, I think.
This was also my first time photographing traditional Maori Kapa Haka performance...
Read MoreWith the debate over marriage equality still hanging in the air in Australia, it's hardly surprising that the campaign continues on stage; because of course, it's been going on quite a while, as Alex Harding's 1988 musical Only Heaven Knows suggests - and it's not just 30 years, it's much longer than that...
Read MoreI wrote a few months ago about the first Lord Of The Rings premiere at the Embassy Theatre in Wellington, and I'm sure I'll be looking at the Two Towers one again in December; but this image, as much for what it represents to me as anything else, has made it into my First XV list - celebrating fifteen years of my career, photographing the arts.
I'd photographed the previous two premieres by the time of the third one, and seen the crowds on the street (and in the media pen) grow exponentially each time; but I think, perhaps because I was still fairly new to the industry, I was still a bit shy, a bit hesitant about being elbow-to-elbow with the world's press in a tiny fenced area.
Don't get me wrong, I planned ahead and got there early, to make sure I got a good spot! But this time was different...
Read MoreLast time I was over at Darlinghurst Theatre Company, it was for a surrealist door-slamming farce; this time, it was a bit less farcical - but doors were slammed nonetheless...
Jeanette Cronin (who I photographed last year in The Shadow Box at the Old Fitz, also directed by Kim Hardwick) is this time both writer and co-star in I Love You Now - not so much a farce as a series of overlapping stories about modern love, lust, relationships and death, all played out in a single hotel room. Punctuated with live music, and tango...!
Read MoreI realised recently that I had an anniversary coming up - not one of the obvious ones, but a quiet anniversary that I'd likely to be the only person to notice.
At the end of May 2002, I took the decision to give up my other work - I was doing about three different jobs at the time, working with a lighting company in theatre and events, helping the local film office, and doing a bit of consulting as a former box office manager as well - to concentrate completely on my photography career, which was starting to occupy more of my time.
Fifteen years later, I'm still at it - so to celebrate, I thought I'd look back and pick one image from each year along the way. And let's not underestimate how hard that is, to go through an entire year's work and choose just ONE image - but sometimes tough choices are needed...
Read MoreI was back at Darlinghurst Theatre Company recently for their production of Hysteria, by English playwright Terry Johnson. It's a tough one to sum up quickly, but let's just call it a door-slamming French farce starring Freud & Dali, and leave it at that for the moment!
After my last entry into the Photographing The Arts series of essays, about how to create depth in a production image on stage, I was watching myself work and once again analysing the decisions I make on the fly - how I choose my point of view, both in terms of camera position and lens choice; and it reminded me of something I learned early on as a photographer, from a workshop by Freeman Patterson.
The trick to photography is to translate a three-dimensional space onto a two-dimensional page, on the fly. And make it compelling...
Read MoreI've worked with the good folks at Critical Stages a couple of times recently, and I was happy to hear from them again late last year about a new tour of Stones In His Pockets - a marvellous, funny Irish script I'd seen performed some years ago in New Zealand.
We did a studio shoot for the poster & promotional images, and then a couple of months later (due to a last-minute cast change) we did it again; then recently I was out at the Riverside Theatre in Parramatta for the dress rehearsal, and something about the way the stage was set up got me thinking while I was editing the images.
Read More"A fox called Scruffilitis."
I knew there'd be something different about this show, from that description alone.
"This is the tale of Jonah, Sophie, and a fox called Scruffilitis. It’s a true story, and it’s a love story. A quirky, dysfunctional, voyeuristic love story, but a love story all the same."
I don't usually take much convincing to photograph theatre, as it's one of my favourite things to work on - but when I started talking to director Luke Rogers from Stories Like These about working on this production, a couple of things caught my interest. The fox, for one - and the stage itself for another...
Read MoreI know a lot of things happened in 2016, and many of them weren't that fabulous (to say the least); but when I went back into my archives, I started to realise there'd been some really great things that happened, too - so here's a few that I was involved in along the way, along with some images that might not have been seen elsewhere...
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