Photographing the arts: what skills are involved?

When I was studying drama at university, I went for an interview to spend the summer at the Banff Centre For The Arts. I'd been focussing on the technical side of theatre at that point, including a bit of stage management, and thought this might be an interesting way to spend a few months between school terms.

The question was asked: did I read music? And frankly, it had never occurred to me that this might be a useful skill - our university programme was pure theatre, not even musicals, much less opera or dance; so it had never come up, and of course I didn't. So, I didn't go to Banff, and I didn't become a stage manager...

Photographing the arts: how do I edit my images?

In my previous essay on photographing the arts, I was talking about selecting images from a shoot; now, we're on to the conversion and correction of the files themselves, taking a RAW file and turning it into a beautiful, finished image.

RAW files are the original camera files, which contain far more image data than an in-camera .jpg, so as a result there's a lot you can do in the RAW conversion process - and, there are a lot of choices that need to be made for each image that gets worked on. Sometimes, it's possible to take settings and copy them from one image to the rest, and get consistent results that way - but that's rare in the performing arts, as the light usually changes from scene to scene, or from one part of the stage to another. Having been a lighting designer, I know how hard it is to get an even, smooth spread of light across a stage, if that's what the aim is - but often, it's not!

Lost & Found #48: Mt. Victoria Summit and Breaker Bay, Wellington 2007

Just a quick entry in the Lost & Found files today - this one was captured on film (yes, film!) a few years ago when I owned a wonderful camera, the Hasselblad X-Pan, which I've written a bit about before.

The great thing about those was that they were compact rangefinders, like a Leica - but also that they took double-frame panoramic images right in the camera. None of this digital sweep-panorama iPhone stuff, you actually saw the frame the way it was going to be!

But gradually, I was absorbed into the digital world, and when I found a digital rangefinder - at that time, the Epson R-D1s - I sold the X-Pan; and I haven't had a film camera since.

PhotographyRobert CattoAugust 13, 2015Lost And Found, Wellington, New Zealand, Mount Victoria, North Island, Hasselblad X-PanComment

Photographing the arts: how do I keep my images safe?

As a photographer, my images are important to me; not just when I take them, but for years afterwards, whether it seems that they have any future use or not. I can't count the number of times I've had a call, years after an image was taken, to see if I still have the file anywhere - often because one of the people in it has passed on, but mentioned that this was their favourite photo of themselves at some point.

Or, as has happened, when someone I photographed has won a major award - say, the Man Booker Prize - and suddenly, the world's media needs an image I took. And, of course, sometimes it's just a matter of wanting to find something for historical purposes: that time someone performed here before everyone knew who they were, and so on...

Photographing the arts: what makes a great production image?

The work I've been doing recently with Apocalypse Theatre and Pinchgut Opera got me thinking about what I try to achieve in production stills photography; so I thought I'd have a look at a show that epitomises my favourite kind of images from this sort of work - New Theatre of Riga's production, The Sound Of Silence, which I photographed for the New Zealand International Arts Festival in 2010...

Lost & Found #38: Sonny Rollins at the Wellington Jazz Festival, 2011

This week's Lost & Found post is from my last Wellington Jazz Festival - who are kicking off again today, over in New Zealand!

Our major draw card in 2011 was a one-off concert with Sonny Rollins and his band at the Michael Fowler Centre. He may have been 81 (REALLY!?) at the time, but he put on a heck of a show - and as you'd expect from someone of his calibre, the band were top notch as well...

Lost & Found #37: Wellington Jazz Festival, 2009

The Wellington Jazz Festival of 2009 was quite a different beast from the previous festivals I've mentioned in the last couple of Lost & Found posts - this time, the management of the New Zealand International Arts Festival took on the programming and running of it, so the scale of production and calibre of performers was substantially different...

Lost & Found #36: Wellington International Jazz Festival, 2004

As I mentioned in last week's Lost & Found, the Wellington Jazz Festival is about to happen again in a couple of weeks - so I thought I'd have a look back at some of the earlier editions when I photographed the event for them...

Lost & Found #35: Wellington International Jazz Festival, 2003

Following on from last week's post, today's Lost & Found is from the 2003 Wellington International Jazz Festival - which is only weeks away from its next event, in early June.

Vale Jack Body, New Zealand Composer & Arts Foundation Icon

I was very sorry to hear yesterday of Jack Body's passing, in Wellington; he was a New Zealand composer of great talent (though he'd never admit to it himself), but also boundless energy and irresistible enthusiasm. Whenever I saw him, he always had a project on the go currently, and invariable one or two more waiting in the wings for when he had a free moment. (I honestly have no idea how he found time to write music, as well!)

Lost & Found #34: Wellington International Jazz Festival 2002

With the Wellington Jazz Festival set to return in just a few weeks, I thought I'd have a look back at a few of the earlier editions for the next few Lost & Found posts. I was their photographer for a few of the events - 2002-04, and on its rebirth in 2009 when the NZ International Arts Festival produced it for the first time...

Lost & Found #33: Arts Foundation of New Zealand Laureate Portraits, 2004

In 2004, I was asked by the Arts Foundation of New Zealand to make a series of portraits of their Laureate award winners for the year - a disparate group of people from around the country, who had been nominated quite without their knowledge to receive this new award. They got a phone call out of the blue one day to say they'd won, there was no application process or requirement to produce work and report back - they'd simply been chosen because of their contribution to the country's culture.

Lost & Found #32: Orchestra Wellington Circus Proms, 2007 & 2009

I was Orchestra Wellington's photographer from 2004-2011, documenting concerts and rehearsals for them with a range of guest soloists alongside music director Marc Taddei, a marvellous conductor, and a hilarious guy to work with, too.

In 2007, General Manager Christine Pearce got in touch to say they were working with a circus school on a kids' concert, and would I like to photograph it for them - naturally I was intrigued, but I'm not sure I expected THIS! Sure, why wouldn't you put hundreds of thousands of dollars' worth of delicate instruments on stage with a flying trapeze, kids on unicycles, and stilt-walkers? What could possibly go wrong...?

Lost & Found #31: Dead Letters, Wellington 2005

This is the third instalment of my Lost & Found series dedicated to Dead Letters, a beautiful short film I worked on nearly ten years ago now - but the more I dug into the files from this one six-day shoot, the more I liked what I saw (if I may say so myself)!

Lost & Found #30: Dead Letters, Wellington 2005

As I mentioned in last week's Lost & Found, I didn't need a lot of convincing to work on Dead Letters, the short film we made in 2005. The film follows Ngaire (Yvette Reid), whose job it is to take letters from families during World War II and transfer them to microfilm before sending them overseas, to the New Zealand forces in Europe at the time...